The Witch (2015) Review
The Witch takes
place in 17th century New England, and begins with a family being
exiled from their town due to religious differences, so the father takes his
wife and five children out into the woods to build a homestead and start a new
life. The oldest child, Thomasin, plays peekaboo with her youngest sibling, who
is just a baby, and when she uncovers her eyes…the baby is gone. The father is
sure an animal took the baby, but soon they suspect something supernatural is
going on, and Thomasin may be to blame. Or is she? From here, scary things
begin to happen, and the family starts to crumble.
I think The Witch
was not the kind of film many people were anticipating it to be. This is
primarily a period piece (as the subtitle implies, “A New England Folktale”),
and functions as a drama for the most part, but becomes more horrific as it
progresses. I love how writer/director Robert Eggers (in his directorial debut)
keeps you guessing as to whether or not there really is something supernatural going on, or if it’s one big conspiracy, or
if they’re all going crazy. There’s one shot fairly early in the film that
seems to solve the mystery too soon, and may diffuse the rest of the story of
any real horror for some viewers, but for me, it was one of the most-disturbing
scenes of all, and I was still
wondering what was really going on, right up to the extremely disturbing end.
This is definitely one of the scariest movies I’ve seen in
recent years. It’s not about shocking, jump-in-your-seat scares, it’s the kind
of scary that’s all about atmosphere and creating discomfort. It’s visually
haunting, with excellent cinematography and a distinct setting. It always seems
to be overcast or on the verge of darkness, which makes the woods seem even
creepier.
The acting is incredible, especially from the child actors.
Anya Taylor-Joy is great as Thomasin, and her character is easy to sympathize
with, as is Harvey Scrimshaw as her younger brother Caleb. There’s a scene with
him that had me absolutely riveted—how a kid that young can be so convincing I
have no idea. The dialogue is all accurate to the era, as are the costumes and
props, but the father’s dialogue is a bit difficult to understand sometimes,
due to his heavy accent and deep voice.
The parts that freaked me out most weren’t even to do with a
witch, really, but the kids themselves. It’s like The Exorcist in the way the story unfolds, and shows how terrifying
it can be for parents when there’s something inexplicably wrong with their
children, and they can’t seem to fix it. It’s seriously scary stuff.
The Witch is a
confident and potent horror film. It starts out at a slow pace and the ending
may not be fully satisfying for some, but it builds incredible tension, and
delivers imagery that will stick with you long after watching.
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