Monday, August 29, 2016

Top Ten Worst Movie Titles: C.C.C Issue #56



Top Ten Worst Movie Titles



A picture says a thousand words, but what does a movie title say? Well, it can be a simple, to-the-point word that sums up everything you need to know about the premise, or it could be a phrase, or a line from the movie, or a place, or a person, and so on and so forth. 


But sometimes, the writers or producers or marketers or whoever it is who came up with the title really craps the bed and that title is forever attached to that movie, whether the movie is good or bad. 


These ten instances, though, are the most inexcusable. A title should trigger images of greatness and heighten emotions at the mere mention of it, not the opposite.




[Dis]Honourable Mentions: 


Legend of the Guardians: The Owls of Ga’Hoole: this animated movie about talking, warring owls is actually great. The title, though, is way too long and meaningless. The series of books it’s based on is called Guardians of Ga’Hoole. They could’ve went with that, or, just Legend of the Guardians, but instead they tried to mash the two, and it didn’t work out so well. Pretty sure everyone just calls it “That Owl Movie” now. 


The Constant Gardener: I’ll give this title points for being memorable, because I remember hearing it as a kid and just thinking, “what does that even mean?” This guy is just always gardening, I guess. And it’s some kind of dark thriller, so the trailer narrator always said it with that guttural undertone, which just makes it sound even funnier. Not the worst title, but dumb indeed. 


Edge of Tomorrow: the little Tom Cruise/Emily Blunt sci-fi actioner that could (kind of), but what it couldn’t do was decide on a title. Edge of Tomorrow sounds like a soap opera, the subtitle “Live. Die. Repeat.” Was half-adapted as its new title on home video, and the original title, All You Need Is Kill (which is what the book is called that it’s based on) sounds better than either of those other two. 


Sssssss: is that with six “S”’s or seven? I guess all the other snake movie titles had been used up? At least they got the right match of animal to sound effect. Fun fact: look this title up on YouTube and you’ll get all kinds of weird, interesting, and disturbing results (beyond just the movie). 


Freddy Got Fingered: straight-up sounds like a porn title. A horrible title, but the movie itself is horrible, so, I can’t say it’s one of the worst titles ever. They give you a fair warning that it’s bad with the title itself. If you decide to watch it based on that, Godspeed. 




10. I Still Know What You Did Last Summer
 

Starting off with a doozy. First of all, I Know What You Did Last Summer probably only exists because of the success of Scream (both movies written by the same screenwriter), which rekindled interest in the slasher genre, but Scream is one of those excellent one-word titles that’s ambiguous enough to be intriguing but also telling enough to indicate the genre. I Know What You Did Last Summer is almost a spoiler? I guess? But then tacking on “Still” for the sequel just makes it sound worse, and makes it even more too long. The third film, I’ll Always Know What You Did Last Summer, is pretty bad too, but after the first and second title, is it really a surprise?   


9. Gigli 



I’m still not sure how to say this one. Looks like giggly? All I know is it doesn’t tell you a damn thing about the movie, but it didn’t really matter back when it came out in 2003, because everyone knew it was a rom-com starring then-real-life-couple Jennifer Lopez and Ben Affleck (A.K.A Bennifer). The movie ended up being one of the worst of all-time, according to many critics, which I can’t attest to that, having never seen it, as a connoisseur of titles, I agree it’s one of the worst in that respect. 


8. 2 Fast, 2 Furious
 

The Fast and Furious franchise has a weird history of titles, but this second one is the dumbest to me. Okay, to be fair, at least it indicates it’s the second movie, unlike entries #3 (Fast and Furious: Tokyo Drift) and #4 (Fast and Furious, dropping “the” and “the”), but it has to say “2” two times? I’m no math expert but doesn’t that add up to four? It just sounds like a parody title. 


7. eXistenZ



Go home, movie title, you’re drunk. Fact: misspelling a word doesn’t come off as clever. I’ve never actually seen this David Cronenberg body horror film, but would like to, based on the premise—not so much based on the title. It’s one thing to misspell a word, but to throw in some capitals for seemingly no reason? That’s crossing the line. 


6. Blacula/Blackenstein  


I’m putting both of these movies in, even though they aren’t connected in any way, except that they both have black actors in the lead roles and are Blaxploitation movies with horribly racist titles. Blacula even had a sequel, Scream Blacula Scream (why are you screaming Blacula? Are you upset about the title too?), and was the first in a line of many Blaxploitation horror movies. Subbing out part of a famous title with “Black” just for marketability isn’t creative and isn’t okay with me.  


5. The Dark Knight Rises



You might be surprised to see this one on here, but it’s bugged me ever since I heard it announced—in fact, it’s the whole reason I came up with this list. I was and still am puzzled by this title choice, given that it’s nearly identical to the second entry in the trilogy, only with Rises added at the end. But really, didn’t the titular Dark Knight “rise” in the second movie, more than he did in the third? Why didn’t they just go with The Dark Knight Returns, like the comic book title? Or what about Batman Ends? It was common knowledge this would be the last of the three Nolan Batman movies, and the first one was called Batman Begins, now it ends! But no, they went with a repetitious, lame title that, ironically enough, kind of mirrored what the movie ended up being: repetitious from last time, and lame compared to the previous entry. 


4. Terminator Genisys


Now we’re getting into really terrible title territory (say that ten times fast). As I’ve already said, spelling a word wrong in a title was never cool, and never will be cool. This was the first sign of trouble for the Terminator sequel/reboot/remake (remakequelboot?) and the jokes at this title’s expense ended up being the best things about the movie. Terminator: Jenny Smith, Terminator: Genishit, and Terminator: Mega Drive are my personal favourites. 


3. John Carter


Disney threw a lot of money into this [supposed-to-have-been] blockbuster based on Edgar Rice Burroughs’s famous sci-fi adventure novels of yesteryear, but they screwed up on one major thing: the marketing. The trailers for this movie made it look like a tiny amount of greatness trapped inside a storm of cgi garbage, and the final nail in the coffin was changing the title from John Carter of Mars (as shown at the end before the credits) to just John Carter (as shown on every piece of marketing). The thought being “of Mars” would turn people off, when really, it probably would’ve brought in more people, because John Carter sounds like it could be about some guy from anywhere, doing anything. It’s way too broad. The movie bombed hard, even though it actually wasn’t that bad, and I think the title is largely to blame.  


2. Troll 2


This title is deceptively stupid. You might be thinking, hey, c’mon, what’s wrong with this? On the surface? Nothing. But give the movie a watch, and you’ll discover this really is one of the worst movies ever made, and while many will say it’s one of the best worst movies ever (so bad it’s good) it’s mostly just boring. But the first big fail is that there are no trolls in the movie. They’re called Goblins. And the second big fail, is it has nothing to do with the first Troll movie. So this basic movie title essentially fails at everything. It just doesn’t seem like it, upon first look. 


1. Star Wars titles 


Before you unceremoniously shoot me with your blaster like Han did Greedo in the un-altered edition of Episode IV, let me preview this by clarifying this is in no way me dissing the Star Wars movies. I’m not even hating on the prequels here. All I’m saying, is the Star Wars series does not sport the best titles. This is more about quantity than quality. None of the titles are really horrible, but as a single series of films, there sure are a lot of bad ones. Let’s start at the beginning. The original 1977 classic came out as Star Wars, but was later given the subtitle A New Hope to distinguish it among the franchise. A New Hope? Okay, a little vague, but not bad I guess. Then there was The Empire Strikes Back, which is pretty good, but then the title became Star Wars: Episode V - The Empire Strikes Back. A bit long winded, isn’t it? Then it just became a thing. Return of the Jedi becomes Star Wars: Episode VI – Return of the Jedi. Okay, fine, it’s a thing now (and Return of the Jedi is a solid title, by the way). But then there were the prequels. The Phantom Menace? Nope, there wasn’t really a phantom, and he wasn’t really a menace. Or did I just miss something? It’s so dense, I know. Attack of the Clones? Well the clones didn’t really attack until the end…Revenge of the Sith? Unless you’re already deep into Star Wars the Sith getting revenge is pretty much meaningless.  

I know these titles don’t really matter, and it’s just George Lucas paying tribute to the old adventure serials that inspired him in the first place, but titles are important, and just the title Star Wars is perfect on its own, there isn’t really a need for the additional titles. Imagine if it was just Star Wars I, II, III, IV, V, VI, VII, VIII, etc. and that’s it. What’s wrong with that?

Does the Star Wars series deserve this top spot for worst movie title? Probably not, so I’ll throw one more in as a bonus.


The REAL #1 worst movie title:  



The 41 Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It 


This title is absurd. Spoof titles don’t really need to be works of art, they just have to sum up what the movie is spoofing. Superhero Movie. Date Movie. Airplane! Scary Movie made use of the original title given to Scream. Occasionally you get a clever one like The Naked Gun. But this way-too-long-winded amalgamation of Judd Apatow comedy titles? It reeks of desperation and completely lacks any creativity. Worst. Movie Title. Ever. 

Tuesday, August 16, 2016

Top Ten Favourite Years for Film: C.C.C Issue #55






Top Ten Favourite Years for Film

Let’s be honest, 2016 has sucked so far for movies. I can count all the truly great new films on one hand, while all the disappointments and letdowns continue to stack up on multiple hands/fingers. 

Looking back on film history, there have been a number of exceptional years where, for whatever reason, multiple great movies came out, and many of them went on to be classics. I could list way more than ten years, but I’ve narrowed it down. This isn’t a definitive best years of film list, as I know I’m leaving out many stellar years, but for me, these years had the most quality to offer. 


10. 1989 

Starting things off a bit easy with the final year of the eighties, there’s lots to look fondly back on here, with a plethora of critical faves like Born on the Fourth of July, Dead Poet’s Society, and Driving Miss Daisy,  but the following are what make it a great year for me:

Batman: this first serious live-action take on the caped crusader still holds up and remains one of the best Batman movies so far, if not one of the best superhero movies in general. To many, Michael Keaton will always be Batman, and Jack Nicholson will always be The Joker. It’s gothic, dramatic, and just plain fun.

Indiana Jones and The Last Crusade: if only the franchise had just ended here. But for most Indy fans, this is still viewed as a satisfying final entry, with Dr. Jones (Harrison Ford) teaming with his father (Sean Connery) for an epic adventure to obtain the Holy Grail. Awesome action sequences, fun character moments, and a tone closer to Raiders of the Lost Ark than Temple of Doom made it (for some) the best Indiana Jones adventure of all. 

When Harry Met Sally: One of the all-time best rom-coms, straight up. Billy Crystal and Meg Ryan, who discover they can’t just stay friends, and actually do love each other, through hilarious and heartfelt exchanges of excellent dialogue in scene after memorable scene. “I’ll have what she’s having”. 

The Abyss: one of James Cameron’s more underrated movies, about deep-sea divers who discover an intelligent alien species capable of controlling water. Phenomenal special effects, engaging characters, and mounting tension make for one hell of an adventure. 

Back to the Future Part II: okay, so it’s not the best Back to the Future movie (arguably the worst) but for me, it’s still a classic. After having celebrated the passing of October 21st, 2015, it holds an even more special place in my heart, and in pop culture. It’s just not a complete marathon without watching Part II


9. 1941 

Going quite a bit further back to a simpler time when there weren’t big action blockbusters being released, but there were still several notable releases that have gone down in history as cinematic landmarks. 

Citizen Kane: do I even need to say anything about this one? It’s one of the best movies of all-time, and often cited as THE best. But there’s more than just this movie to make 1941 notable. 

The Maltese Falcon: yet another all-time classic. A go-to for film noir fans, and one of Humphrey Bogart’s most memorable performances. 

How Green Was my Valley: maybe not quite the classic that Maltese Falcon and Citizen Kane became, but it was still nominated for a whopping ten Academy Awards and is undoubtedly a highlight from this year. 

The Wolf Man: a horror classic, and one of the best Universal Monster Movies. The Wolf Man himself is not just a generic werewolf, but a distinct and tragic character that has endured ever since this debut, and the original is still an atmospheric and entertaining film. 

Dumbo: Disney’s only big hit in the 40’s, and still considered an animated classic, back when Disney targeted child audiences but still inserted horrific scenes like the dancing pink elephant dream sequence that scared the hell out of kids, and continues to, to this day. 


8. 1979 

There’s definitely a nice variety in this year, with one genre prevailing in particular. Horror in 1979 was exceptional, with cult classics like Tourist Trap, Phantasm, and The Amityville Horror. But of course there’s one that really stands out.
 
Alien: one of the best sci-fi/horror films ever made, with a totally unique and frightening creature design and a claustrophobic setting that’s unescapable. Sigourney Weaver became a star from her role as Ellen Ripley, and the film spawned a successful franchise that’s still going to this day, but no sequel or prequel (except Aliens) has been able to top the original. 

Apocalypse Now: infamous for all the on-set problems the cast and crew faced, Francis Ford Coppola’s Vietnam war film inspired by Heart of Darkness is one of the most brutal and well-made war films ever, with excellent performances (Martin Sheen, Marlon Brando) memorable music (Ride of the Valkyries) and quotable dialogue (“I love the smell of napalm in the morning.”) 

Kramer vs. Kramer: an Academy Award-winning classic that is surely one of the best movies from both leads, Dustin Hoffman and Meryl Streep. 

Month Python’s Life of Brian: while I don’t think it’s as funny as Monty Python and the Holy Grail, Life of Brian still has many hilarious gags and that signature Monty Python humour intact. 

Mad Max: With the superior sequel The Road Warrior and the even more superior fourth entry Fury Road, it’s easy to forget the original Mad Max is a well-crafted low-budget revenge tale that brought Mel Gibson front and center and was the feature-length debut of director George Miller. 

Rocky II: not as good as the first Rocky for most, but for me, I like it even more, with the further exploration of the characters and their relationships and (spoiler alert) the better ending, because Rocky gets the girl and wins the match, and I couldn’t help but fist pump when Stallone declares “I did it!” 

Escape from Alcatraz: despite its slow pace, is still one of the best prison break films, with the always great Clint Eastwood and the accurate depiction of how the prisoners escaped. As I said, slow, but still classic.


7. 1986 

I unabashedly love 80’s movies, but narrowing it down, there are two years in particular from that decade that really delivered a sizable helping of good movies, and this is one of them.

Platoon: again, one of the best war films ever, also about the Vietnam War, but this time with Martin Sheen’s son Charlie Sheen in the lead, and many great supporting actors including Willem Dafoe and Tom Berenger. It’s gritty, realistic, horrific, and emotional. 

Ferris Beuller’s Day Off: on a lighter note, this is my favourite teen comedy from writer/director John Hughes and never fails to make me laugh. Matthew Broderick’s signature role, plus so many iconic lines and moments of comedic gold, makes it a real winner. “Beuller…? Beuller…?” 
 
Stand by Me: one of the greatest adaptations of a Stephen King story, about four kids who go out looking for a dead body, but find much more. Totally believable characters, a thrilling sense of adventure, and raw emotion make it fun but emotionally resonant too. 

The Fly: one of director David Cronenberg’s best, and one of the scariest body horror movies ever, and one of the best remakes ever, and one of Jeff Goldblum’s best roles, and the list goes on. Great effects, tragic love story, truly disturbing, it’s just great. 

Aliens: as mentioned before, the only sequel to Alien I think is
better than the original, and as a whole, it’s one of the best sequels ever. James Cameron outdid himself with this action-horror thrill ride that ups the ante and furthers the character of Ripley in exciting and effective ways. 

Top Gun: not one of the best movies ever, but certainly a quintessential 80’s actioner, with a great soundtrack and aerial stunts, plus Tom Cruise. 

Transformers: The Movie: though not a classic for me, it is for countless 80’s kids, and is still undoubtedly the best Transformers movie yet to be made, with actual emotion, but also cool robot battles. 


6. 1991 

This year has some heavy hitters, as well as movies I would say are only just good, like Point Break, and a bunch that I haven’t seen but I know are big deals, like The Rocketeer, Robin Hood: Prince of Thieves, JFK, the Cape Fear remake, and The Doors. But here are the standouts for me. 

The Silence of the Lambs: truly as fascinating as it is disturbing, those who say this isn’t a true horror movie are lying. It’s totally character-driven, with Anthony Hopkins as Hannibal Lector leaving an incredible impact despite his limited scenes, and Jodi Foster as Clarice Starling, carrying the entire movie. Creepy, visceral, and unforgettable, but also weirdly enjoyable. 

Thelma and Louise: a highly-enjoyable dramedy, and one of the best “road movies” ever, with great performances from Susan Sarandon and Geena Davis, and a really memorable ending. 

Naked Gun 2: The Smell of Fear: Not as good as the first Naked Gun, but still laugh-out-loud funny, Leslie Neilson is still spot-on as bumbling detective Frank Drebin, and there are more than a few memorable gags, even though many of them are just repeats from the first. 

Beauty and the Beast: another one of Disney’s best—so good, in fact, it got nominated for Best Picture at the Oscars, which was a first for an animated feature. 

Terminator 2: Judgment Day: this is the big one for me. My
favourite James Cameron film, my favourite sequel of all-time, and one of the best straight-up action movies ever made. It fits into so many “best of” lists I can’t even name them all, but to sum it up, it holds up in nearly every regard—special effects, acting, story, characters—and is one of my favourite movies ever. 


5. 1977 

Now things are getting serious. Going back to the seventies, this year has some extremely big landmarks (Smokey and the Bandit, Saturday Night Fever, The Spy Who Loved Me), despite not having quite the quantity of other years already covered. Let me just start with the biggest one. 

Star Wars (A.K.A. Star Wars Episode IV: A New Hope): yeah, what can be said that hasn’t already been said? It transcends the medium of film. For many it’s a way of life. Truly one of the most important movies ever made. 

Close Encounters of the Third Kind: in ’77 George Lucas had Star Wars, and Steven Spielberg had Close Encounters. One of the best alien movies ever, with a decidedly friendlier approach than what was typical of that time, and it remains a classic in the sci-fi genre. 

Annie Hall: I don’t love this movie, and I don’t love Woody Allen in general, but Annie Hall is just one of those comedies that really has aged well and is relatable on a level that can’t be ignored. It breaks the fourth wall in very effective ways, is smartly written, and is far from generic. 

Eraserhead: David Lynch is one of those directors known for his distinct style and subject matter, and this is usually the first go-to for anyone wanting to get into his work. It rides that line of “is it horror or is it not?” and it bears repeating: this, too, holds up very well. 

The Hills Have Eyes: Wes Craven’s cannibals in the desert, made long before his most famous features, Nightmare on Elm Street and Scream, but still one of his best, and a very unsettling horror story. 


4. 1982 

Jumping back to the eighties, 1982 was a truly exceptional year—in fact, the next three were as well—but it’s the variety that’s really striking. If you wanted a sample size of many genres but from only one year, this would be a good one to go with.

E.T. The Extraterrestrial: here you have your Spielberg, a bit sci-fi, a bit coming-of-age, a bit family drama, a bit comedy. A timeless story, timeless characters, laughter and tears in equal measure, E.T. is one of the director’s very best. 

Fast Times at Ridgemont High: here you have your teen comedy, R-rated, with high schoolers working part-time jobs, having sex, getting pregnant, going on dates, getting into trouble, getting high, all that good stuff, but with plenty of quality humour interspersed throughout. 

The Thing: here you have your hard-core sci-fi horror masterpiece from John Carpenter, starring Kurt Russel, about a bunch of guys trapped at the South Pole with an alien that can hide inside a person and be virtually undetectable. It has mystery, gore, suspense, action, and genuinely terrifying scenes.

Poltergeist: and if The Thing is too much, you can go the scary-but-still-fun route with this Spielberg-produced (and maybe directed?) supernatural thriller that will make you scared of trees, clowns, closet portals, and Indian burial grounds, but you’ll still have fun at the same time. 

The Evil Dead: is Poltergeist too mainstream for you? Want something still supernatural but more in line with The Thing for gore? Sam Raimi’s directorial debut will suffice, with Bruce Campbell and his friends fighting off deadites in a cabin in the woods. A low-budget horror classic with some over-the-top comedy infused that’s a must-see for horror fans. 

Bladerunner: if E.T. and The Thing weren’t hard enough sci-fi,
you’ll get your fix with Ridley Scott’s visionary masterwork starring Harrison Ford as an investigator trailing androids called replicants in a dystopian, futuristic, noir city that’s as thought-provoking as it is visually enthralling. 

Ghandi: not into the genre stuff? Want just a solid drama? Ben Kingsley as Ghandi with Richard Attenborough behind the camera is an Academy Award-winner, and should do the trick. 


3. 1993 

This would be my favourite year for film, but there are only six notable ones for me, whereas the number two and one spots have a greater number of quality films to offer.

Schindler’s List: not an easy watch, and probably not something you’ll want to revisit, but essential viewing nonetheless, chronicling World War II and the horrific acts committed, in stark black-and-white and with disturbing realism. 

The Fugitive: one of the best action-thrillers of the 90’s, with Harrison Ford and Tommy Lee Jones in top form. Swift plotting, a constant sense of urgency, and an intriguing mystery wrapped up in the pursuit, this is definitely one of the best movies to have spawned from a TV show. 

The Piano: an unassuming New Zealand drama that actually packs quite the punch and is a fascinating character study, with actresses Holly Hunter and Anna Paquin (only 11 at the time) winning Academy Awards for their work. 

Tombstone: an often overlooked western with Kurt Russell (who’s always great) as Wyatt Earp, and a good supporting cast around him. 

Groundhog Day: right up there as one of Bill Murray’s best, with
Harold Ramis directing, and Murray delivering his signature sarcasm and dry humour. The premise is simple, brilliant, and has been imitated many times, but never has it been more comically effective than here. 

The Sandlot: this underrated tale of kids playing baseball in the 60’s and trying to get a ball signed by Babe Ruth back from a giant dog is one of my favourite tales ever told in a film. With one of the best all-kids casts’ ever and dialogue that actually sounds like its kids talking and not adults trying to sound like kids, it’s a must-see. I’ll never get tired to revisiting this movie. 

Jurassic Park: at last, the real reason 1993 is my third favourite year for movies. Simply put, one of my absolute favourite movies ever—probably my most favourite. Spielberg proved he was the best in ’93 when he delivered the heartfelt serious drama in Schindler’s List and the classic thrills he was previously known for with Jurassic in the same year. Truly legendary. 


2. 1999 

Here’s what many consider the best year of all for movies, and I can see why. I couldn’t possibly go into detail about all the good ones, but here are a few that have made lasting impacts: The Iron Giant, the South Park movie, Magnolia, Being John Malkovich, The Talented Mr. Ripley, and Toy Story 2. That’s already highly impressive, but check out these other six (!)

Eyes Wide Shut: Stanley Kubrick’s final film. Not one of his absolute best, in my books, but still endlessly fascinating and surprisingly haunting. It explores themes of sex and betrayal and goes places most filmmakers would probably hesitate to explore, but Kubrick goes there, and left moviegoers scratching their heads, as I’m sure he wanted to. 

The Sixth Sense: M. Night Shyamalan’s breakout hit, with one of the best twist endings ever. This movie probably helped inspire the whole “spoiler alert” thing, and rightly so. It’s creepy without being too scary, and mysterious without being confusing. The ending, of course, it what everyone remembers, but it only works because the rest of the movie works so well. 

The Green Mile: another one of the best prison movies ever, based on the serial novel by Stephen King. The acting talent is superb, with Tom Hanks leading the cast and Michael Clarke Duncan nearly stealing the show. 

The Matrix: truly revolutionary in terms of action and visual effects, introducing the way overused “bullet time” effect and a warped story that made people question their perception of the world. While I can’t say I love The Matrix, I do enjoy it, and recognize the lasting impact it’s had on pop culture.  

American Beauty: Sam Mendes debuted as a director with this Oscar winner, and Kevin Spacey gives one of his best performances ever, as an unassuming suburban father who goes off the deep end, but the way his character changes is really intriguing, and the dissolution of his family is tragic yet also entertaining.   

Fight Club: seriously, the quality of these movies is out of control. Now here’s a David Fincher film—one of his best—that also offered a mind-bending plot like The Matrix and a crazy twist near the end like Sixth Sense, but it’s still totally unique and masterfully put together. 


1. 1994 

Here it is, what I would call the best year for film ever (so far). It’s not about quantity but quality, though there is still quite a large amount to talk about. I’ll start in easy.

Jim Carrey: this was the year everyone learned who Jim Carrey was, and we haven’t forgotten ever since. He had not one, not two, but three huge comedies that are all considered among his best-ever work. There’s The Mask, essentially a comic book action comedy with purposefully cartoony but still sophisticated special effects, and Ace Ventura: Pet Detective, which is one of Carrey’s quirkier and more hilarious characters, and last but not least, Dumb and Dumber, probably the most-beloved of the three movies, with him going all-out alongside Jeff Daniels for maximum gut-busting laughs. 

The Lion King: just when you thought Disney couldn’t outdo themselves after Beauty and the Beast, here comes this instant classic, which has no human characters present and no interaction with any setting except the wilderness of Africa, and tells the story of a lion cub that gripped the hearts of adults and kids alike. Stunning animation, fun songs, strong characters, all make it another of Disney’s best. 

Forrest Gump: many people were (and still are) upset this won Best Picture at the Oscars. I agree it shouldn’t have won Best Picture, but I don’t think Forrest Gump is a bad movie. In fact, I think it’s great. Sure, some of the visual gags are a bit cheesy, and sometimes it just feels like it’s moving scene-to-scene without much story, but the overarching tale of Forrest and Jenny is heartfelt and tragic and sweet and many other adjectives, but of course Tom Hanks as Forrest Gump is the real reason the movie succeeds. Not a bad movie as many will say, but not quite as good as these last two. 

Pulp Fiction: Quentin Tarantino followed up the much-lauded
Reservoir Dogs with what I think is still his best movie to date, the non-linear linked-stories of crime and drugs and hitmen and tasty burgers. Pulp Fiction is definitely a one-of-a-kind movie, with characters you can’t forget and dialogue you can’t help but quote. “They call it a Royale with cheese.” 

The Shawshank Redemption: this is the one I thought should’ve won Best Picture in 1994. Shawshank Redemption is one of my all-time favourite movies, and in a stellar year, it’s the standout for me. Frank Darabont did well with Green Mile—Stephen King, too (he wrote the short story Shawshank is based on)—but neither could have possibly done better than they did here. Tim Robbins and Morgan Freeman give legendary performances, the story is completely enthralling, and it deals with such big, universal themes, I don’t understand how someone couldn’t love this movie. 

So there you have it, my ten favourite years for film. Did I miss any? What is your favourite year? I’m guessing it isn’t 2016… (*sad Tuba sound*)