Saturday, December 31, 2022

2022 Movies: Are Any Worth Checking Out?


Which 2022 Movies Are Worth Checking Out?


Roughly two years ago, I wrote the last top 10 most anticipated movies of the year list I would ever write for this blog, but I didn’t know it would be my last list of that kind when I wrote it. Something else I didn’t know as I was writing that list was a man in Wuhan, China had contracted a virus, and that same virus would spread around the entire world only a few months later and change everyone’s plans for 2020 and beyond, including Hollywood’s. Nearly every single movie we thought we would get that year became delayed because of the pandemic, and even now we are still waiting for movies to come out that were advertised with much earlier initial release dates.

Here’s the thing, though: 2020 was obviously not a great year for new movies, but 2021 had a lot more to offer than I had expected when the year started. In fact, I saw a number of new movies in the movie theater in the second half of the year, and while some of them were enjoyable, not many were significantly memorable, but hey, it was just nice to have theaters open again, and there would be even more to look forward to in 2022. Or so I thought…

This year had many new movies and way fewer delays, but it actually turned out to be worse than 2021 for good new movies. As I combed through 2022 releases, I discovered I actually forgot about multiple movies I saw, which was my first sign that writing anything about the new movies of this year wasn’t going to be easy.

So, what I’ve decided to do is go through everything I saw that came out this year, then specify the ones that I think are worth checking out.

 

Jackass Forever

I thought Jackass 3D would end up being the last time those idiots would get together to make a movie about dumb stunts and pranks and gags, but even in their old age Johnny Knoxville and company proved they still had some brain cells left to kill. Unfortunately, I didn’t find it nearly as funny as Jackass 3D, and that may have something to do with being a more mature adult now—except, it doesn’t. I still laugh myself into pain watching the first three Jackass movies, but Forever just didn’t have the same kinds of simple-yet-brilliant stunts and pranks taken way too far. The new younger additions to the cast felt like they were trying too hard, the pacing of the segments wasn’t as good as the previous movies, and in the end it just didn’t make me laugh all that hard.

 

The Batman

I liked the new take on the caped crusader, and I think of all the actors who have played the role, Robert Pattinson did the best job balancing Bruce Wayne and Batman. I think Keaton made a great Batman but not as good of a Bruce Wayne, I think Bale was a great Bruce Wayne but not as good of a Batman, and I didn’t really mind Affleck as Bruce Wayne or Batman, but the movies he found himself in were not a good showcase for him. I think the movie Pattinson found himself in was really well realized and certainly didn’t compromise its vision of Gotham City or the villains occupying it, but I also found the movie to be too much.

The Batman is grim and dark, the mystery is what drives Batman, and the characters are all well-written and played by great actors, but it’s overly dark, the mystery is too drawn out and not all that compelling, and there are too many characters. I didn’t really enjoy Zoe Kravitz’ take on Cat Woman, and I thought including The Joker at the end was pointless. I found it hard not to compare it to The Dark Knight because this vision of Batman/Gotham adhered closer to Christopher Nolan’s than any other previous adaptations, and despite Dark Knight only running about twenty minutes shorter than The Batman, I would watch it ten times over again instead of watch The Batman again. The Batman was too long, too drawn out, and too inconsequential for it to really resonate with me. I would still watch a sequel with this same cast and crew in front of and behind the camera again, but I don’t feel the need to revisit this one anytime soon, even though I did enjoy many aspects of it.

 

X

I really don’t have that much to say about this one. X was a middle-of-the-road A24 horror movie, for me. I found it way too derivative of The Texas Chainsaw Massacre to really enjoy it as its own thing. I recognize the craft that went into making it, but the writing was too bland for me to really care as I was watching it, and the lack of creative horror moments left me uninterested in seeing the prequel or upcoming sequel.

 

Everything Everywhere All at Once

This is the best movie I saw in 2022. Hands down. I knew the minute it ended that it would take something seriously special to top this movie-going experience this year. It felt like something truly original and told a story I never could have imagined I needed to experienced but I am so glad that I did. In terms of balancing creative use of special effects with effective cinematography and camera work, endearing characters, bizarre humour, clever writing, and unconventional cinematic elements, Everything Everywhere All at Once was the most fun I had at the movies all year, and was the movie I continued to think about the longest after I walked out of the theater. I haven’t watched it again as of writing this and I desperately need to.

Worth checking out!

 

RRR

I heard about this epic Indian film that had North American critics going nuts and saw it had been added to Netflix, and the preview showed animal battles and some totally insane action. Well, RRR was similar to Everything Everywhere All at Once in the way that it was unlike anything else I saw this year, but RRR was also a bit much to sit through. I thoroughly enjoyed much of the film, but I didn’t quite understand all of it, and I think it’s simply because it’s so unlike your typical Hollywood blockbuster. The visual effects were mostly pretty good considering they weren’t done by Hollywood VFX artists, but the movie’s epic three hour runtime felt a little tedious at points. The action was so over the top that I found it intentionally hilarious much of the time, and there were moments that were truly shocking and made me fist pump. However, the movie didn’t stick with me all that much on the whole—I really loved the soundtrack and many of the action scenes, but I can’t recall a lot else about it that I really enjoyed. I think I would need to see it again to fully appreciate it.

If you like foreign films, check it out.

 

The Northman

Robert Eggers’ third film kind of disappointed me, even though I enjoyed it and found it was as skillfully made as his first two. The Northman just felt so authentic that it was almost like watching something from the History Channel—actually, I take that back, History Channel sucks and The Northman was actually well made, it doesn’t deserve to even be associated with History Channel. I just mean that it was so harsh and real sometimes that it became a bit difficult to watch, but difficult because I didn’t find myself that invested in the characters or story due to those elements not being prioritized by the filmmaker. It felt very well crafted in terms of shot composition, production value, and acting, but it’s described as “a Viking revenge tale" and that’s all it is. That’s what you get, nothing more, nothing less. It had some epic moments for sure, but overall, I can’t picture myself watching it again and again in the same way I would with The Witch or The Lighthouse.

 

Doctor Strange in the Multiverse of Madness

This was one of those movies I forgot I saw…I had some hope for this MCU Phase 4 film because of director Sam Raimi, and they kind of let him bring his unique flair to it, but it wasn’t enough to save it. The title character gets sidelined, which is frustrating, Scarlet Witch turns into a villain, which I didn’t enjoy (also the fact that you had to see WandaVision before this in order to understand it didn’t work the way I think they were hoping it would), and the new characters were uninteresting (minus Bruce Campbell as hotdog man). It ended in a way that felt like nothing that had just happened really mattered all that much because everyone is so powerful they’ll just come back for the next one, and the ending setting up yet another adventure with a new sorcerer did not spark joy.  

 

Top Gun: Maverick

I think everyone was surprised that the new Top Gun sequel—a sequel that very few people asked for and felt like it came way, way too late—turned out to be one of the best action movies since Mad Max: Fury Road, and ended up that way because of one simple factor: excellent real stunts without too much CGI! I saw the original Top Gun once and didn’t find it all that remarkable, and I wouldn’t say Maverick is a mind-blowing experience by any means, but if you’re looking for solid action scenes with jets and characters that are more than tolerable, then it will more than satisfy. I didn’t care about it before I heard the positive word of mouth, and I ended up really enjoying seeing it on the big screen.

Worth checking out if you can see it on the biggest screen possible in surround sound.

 

Jurassic World Dominion

I wrote a whole Brachiosaurus-sized review for this monstrosity of a sequel back when it came out in June, and my opinion hasn’t changed, so I’ll link it below. I haven’t seen the extended cut yet, but I probably will some day when I forget about how much the theatrical version sucked. Short summary: I absolutely do not recommend checking out Jurassic World Dominion.

Review: https://cccmovies.blogspot.com/2022/06/jurassic-world-dominion-review.html

 

Elvis

I had been intrigued when I had heard about the casting choice for The King of Rock and Roll, the relatively unknown Austin Butler, and the director who would be helming the project, the extravagant Baz Luhrmann. I found Elvis to be a somewhat unwieldly music biopic in the first act, jumping around too much and rushing through his early life, but then it hit its stride, and by the end I was fully invested. Luhrmann did a good job directing, but it’s Butler’s performance as Elvis Presley that makes it worth seeing. The music, too, is extremely well done, and the movie concludes in a powerful way. I didn’t find Elvis to be a particularly fantastic movie all the way through, but when it’s good, it’s really good, and of all the recent music biopics of its kind in the past few years, I think it’s my favourite one so far.

Worth checking out!

 

Thor: Love and Thunder

The third Thor movie, which I unlovingly referred to as the Thor Saturday Morning Power Hour after seeing it, might have been great if I had been ten years old, but having been on this unending ride that is the MCU for well over a decade now and having been repeatedly disappointed more times than wowed with the phase four films, Love and Thunder was almost painful to sit through. It had some great moments to be sure, but it felt like writer/director Taika Watiti was unleashed to do whatever he wanted and he didn’t really know what to do, so he tried to make a dumb comedy and an emotional character-driven superhero epic and failed at both. The “comedy” was more cringe-worthy and embarrassing than it was hilarious, the drama felt manufactured and hollow more than it did moving, and in the end I didn’t care about seeing Thor again in another movie. In ways, it was even worse than Thor: The Dark World, and so many of the decisions made—from completely wasting the Guardians of the Galaxy to giving CGI screaming goats far too much screen time—left me seriously questioning whether or not I want to continue to see every MCU entry in the movie theater. Put it this way: I still haven’t seen Black Panther: Wakanda Forever.

 

Nope

Not many movies can be sold on the credibility of the director alone these days, but in case you don’t know who Jordan Peele is, he’s the half of the comedy duo Key & Peele who decided he wanted to make movies no one else was making, so he co-produced, wrote, and directed a little psychological horror/thriller for Blumhouse Productions called Get Out, and it ended up being a huge hit critically and commercially and was nominated for numerous awards. He followed it up with Us, which I wasn’t a big fan of, but it too was a successful horror/thriller with something to say. This year he put out Nope, which was a little less out there compared to Us, but is definitely a Jordan Peele movie, for better and for worse. Without spoiling too much, this one is about aliens and Hollywood, and I found it too lazily paced to really recommend it, but I did enjoy aspects to it, and was reminded of Close Encounters of the Third Kind and Contact, though some questionable moments throughout and a deflating ending really brought it down for me. It was better than Us, but still a far cry from the quality of Get Out.

 

Prey

This is another movie I reviewed back when it came out, so I won’t say as much on the latest entry in the Predator franchise, but this back-to-basics-prequel had a lot more genuinely entertaining scenes and well-crafted moments than the previous Predator movie…and yet, despite what I said in my review, I found I quickly forgot about it after I watched it, and noticed a few things about it that were a little disappointing in retrospect. Don’t get me wrong, I still enjoyed it and would still recommend it, but I don’t know if it was exactly the gritty reinvention the franchise needed, and I definitely think a number of people out there overhyped it by saying it was the best Predator movie since the original, with some even claiming Prey to be better. It is not better than Predator or even Predator 2 in my opinion, but it is a damn fine Predator movie.

Review: https://cccmovies.blogspot.com/2022/08/prey-review.html

Do you have Disney+? If so, check it out.

 

Don’t Worry Darling

I didn’t review this one, but I still don’t have much to say about it. The drama behind the scenes of the making of this thriller was ultimately more interesting than the big twist of what is really going on in Don’t Worry Darling. It was a concept that I don’t think reached its full potential, and even though it was well directed by Olivia Wilde and well-acted by the two leads, Florence Pugh and Harry Styles, it didn’t really end up being something that stuck with me. I wouldn’t really recommend checking it out, but I think if it’s something you were curious about, you probably already saw it.

 

Halloween Ends

Blumhouse retconned all the Halloween sequels and made one that only directly followed up the 1978 original, which fans easily bought into and were overall happy with. Even though it was basically just a reboot that emulated the original, even copying the title (forcing fans to make the distinction between talking about Halloween 1978 and Halloween 2018) it was still better than most of the old sequels. Then came Halloween Kills last year, which was a totally ridiculous and misguided sequel that was so excessively violent and unintentionally dumb that it was actually kind of entertaining. Blumhouse cleverly designed this reboot series as a trilogy, wrapping up the franchise unofficially with Halloween Ends, so naturally I felt like I should see it since it was released around Halloween and I saw the other two in October as well and it seemed like this might have some finality to the already questionable storyline started in Halloween 2018. Halloween Ends was not what I expected. It tried to do something different, and it was pretty much a disaster. Unlike Halloween Kills, this one isn’t so bad and over the top that it’s entertaining. Halloween Ends is a letdown in multiple ways, not the least of which is failing to feature the masked killer we’ve come to expect enough or living up to the clever kills and bloody violence of the previous two movies or having a different take on the concept that’s interesting and clever. This conclusion to the reboot trilogy is one of the worst Halloween sequels even in the context of the previously retconned sequels.

 

Glass Onion 

Finally, I’m back to talking about a good movie! Glass Onion: A Knives Out Mystery is the second movie to feature Daniel Craig as Detective Benoit Blanc trying to solve a mystery amid a wonderful ensemble cast. It’s not really a sequel to Knives Out—in fact you could watch this movie without seeing Knives Out and understand it perfectly—but compared to writer/director Rian Johnson’s first film in this rather interesting series, I didn’t love it quite as much, just because it lacked that relatable familial content and traded it up for some less realistic plot elements. Glass Onion has quite a different mystery at its core.

For the first act I was bored and uninterested in the characters. Then, act two rewinds to earlier, we see a setup that we were missing before, and we see alternate perspectives of scenes we’ve previously been in, which all builds up the understanding and mystery and makes the whole thing better, then the third act is wonderful and entertaining and funny and in the end I loved it, and it actually made me want to see it again to see if act one would be better with the understanding of what is actually going on. It still felt odd that so much was withheld initially to make the movie better later on, but I applaud Rian Johnson for making a second unique and tightly-plotted mystery with a bunch of great actors.

Worth checking out!

 

Avatar: The Way of Water

After thirteen years of waiting, the long-ago-promised sequel to Avatar finally arrived in theaters, but did it live up to the hype and anticipation? Well, I was eager to see the first sequel writer/director James Cameron had made since Terminator 2 (which was over three decades ago) but how could something live up to such a long build up? Simple: it just can’t. Avatar: The Way of Water surprised me in two big ways: it was an absolute technical marvel, somehow surpassing the already incredible motion capture performances from the first one, and the flawlessly blended CGI environments and creatures and vehicles, and the awe-inspiring designs for everything. But, that was kind of where the surprise and joy ended for me.

As a sequel, it tries to go deeper into the characters and personal conflicts instead of bigger in scale, so Way of Water is not as epic as the first Avatar, nor is it as immersive in the same way (though still incredibly immersive) or as magical. It tries to focus more on family drama while also delivering brutal action and swift sequences, but doesn’t do this as successfully as I had hoped. Ultimately, the story was not something I found myself very invested in, and for all the characters we follow along the way, I didn’t connect with many of them—and that wasn’t just because they were blue aliens. I’ll save diving in any deeper (no pun intended) and just conclude with this: if you were already excited to see Avatar: The Way of Water before it came out, then you’ve probably already seen it or made plans to see it, but if you don’t have those fond memories of the first movie and were iffy on seeing the sequel, I actually would not recommend it. With its excessive three-hour runtime and overindulgence in James Cameron-isms, I don’t think it’s on the same you’ve-never-seen-anything-like-this-before-level the original was on. You have seen something nearly exactly like this before. Way of Water was impressive and I liked it, but I don’t think it’s quite the same kind of theatrical experience that has to be seen like the first movie was.

 

There you have it: out of all those movies, I would really only recommend six of them. I’m hoping 2023 has more great new films to offer, since none of the ones I had hoped would be great in 2022 really panned out—not even Avatar: The Way of Water, unfortunately. Here’s to a better year for going to the movies. My fingers are crossed!

 

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