SHARK WEEK ESSENTIALS
In Part One of my Shark Week Extravaganza, I gave some background on the long-running summer TV event, and explained that I no longer watch Shark Week as it airs, having stopped a number of years ago, but I created my own Shark Week this year, stuffing at least one shark-related piece of programming into each day of one of my summer weeks. I’ll summarize what my schedule was, then explain what each day’s show or film was all about.
Monday: TheMalibuArtist (various videos) and Cinemassacre’s “Top 50 Shitty Shark Movies”
Tuesday: Air Jaws (the original)
Wednesday: MythBusters Jaws Special
Thursday: Deadly Waters
Friday: Jaws @ 50: The Definitive Inside Story
Saturday: Supersized Sharks, Deep Blood
Sunday: Jaws (the original)
I started off the week with two blocks of programming you would never see during an actual Shark Week broadcast: intimate, undramatized footage of great whites off the coast of California, and a countdown list of terrible shark movies. TheMalibuArtist is a YouTube channel hosted by Carlos Gauna who is a professional photographer and drone operator, and he has captured some of the most stunning footage of great whites I have ever seen. His calm narration and lack of jump cuts make his videos comforting, but they are also uniquely insightful, with his observational knowledge of shark behaviour providing information I have never learned in all my years of watching Shark Week.
Cinemassacre is a production company run by James Rolfe I’ve talked about many times before, and while his channel is educational only in the sense of movie history and filmmaking, his video about the worst shark movies ever made is one of the best videos of its kind. I still laugh thinking about the unhinged, frenzied intensity of James trying to saw open the DVD of Hammerhead just to get the disc out. Even though none of the films are in the traditional spirit of shark education, I still think there’s a place for shark movies in celebrating Shark Week, and this video encapsulates a huge collection of them in easily digestible snippets.
You can’t have Shark Week without Air Jaws. I rewatched the original program this year, Air Jaws: Sharks of South Africa (2001), which first revealed to the world what great whites were up to over there: ambushing seals from below and rocketing up out of the water, just as the title alludes to. In addition to the staggering behaviour (there must be at least two dozen unique shots of sharks coming out of the water throughout the runtime), there’s a segment later in the episode where the sharks feed on a dead whale carcass, and I can remember the shock and awe I felt the first time seeing so many massive sharks throwing their heads like sledgehammers at the carcass and chomping off tens of pounds of blubber and flesh in mere seconds. Then, to make it even crazier, one of the researchers climbs onto the remains of the carcass to film the sharks even closer! To date, there have been fifteen Shark Week episodes with “Air Jaws” as part of the title, and subsequent episodes have had some great moments, too, such as the first aerial shot of a great white breaching. While Shark Week has often been criticized for focusing too much on great whites, even in the heyday of specials, I can’t say I ever get tired of watching them take to the air like that.
Recently, I’ve been enjoying revisiting one of my all-time favourite TV shows thanks to whole episodes getting uploaded to YouTube, so it was fitting to revisit the MythBusters Jaws Special, as well, which I have seen perhaps more times than any other MythBusters episode. Running over ninety minutes without commercials, they tackle numerous myths from the movie, and even though they end up debunking classic moments like the shark pulling the barrels below the surface or exploding from Chief Brody shooting the air tank in its mouth, it’s not as if the results devalue Jaws. If anything, this episode just made me love the movie even more when I was a kid, because it’s honoring the film while staying true to what MythBusters was all about at the show’s best. I learned a great deal not only about the science of sharks from their informal testing and research, but also about the behind-the-scenes of one of my favourite movies. It originally aired in 2005, and an additional shark special aired a few years later, which is also worth checking out. The episode Deadly Waters was the premiere for the 2009 season, hosted by Survivorman himself, Les Stroud (the season’s de facto host), and I had not seen this episode in a very long time. Not to skip ahead and become critical of Shark Week in its current state before I finish covering my personal Shark Week lineup—I don’t want to, ah, jump the shark here—but it disappointed me upon rewatch, because it represents the beginning of that devolution I alluded to earlier. I wouldn’t go as far as to say I have a love-hate relationship with Les Stroud, but I’ve enjoyed watching him survive in many of his programs, and other times have found him a bit annoying and whiny. Here, he’s just overly dramatic, which fits with the show’s rapid editing and premise of visiting the most dangerous shark-infested waters around the world, but doesn’t provide many unique or useful insights to the sharks featured.
Before I get to Friday and the grand finale of my week, let me jump ahead to Saturday, starting with Supersized Sharks: the newest TV episode I watched this year, having aired last year as part of National Geographic’s Shark Fest. With the sad state of Shark Week these days, if you want actual scientific knowledge, it seems you have to go over to National Geographic to watch their now annual marathon of programming, but hey, if you want to see cameramen inviting sharks to bite them “just for the shot” then I guess Shark Week is all you need (yes, that seriously has been reported). Supersized Sharks was a pretty banal program, just exploring an island off Australia that has lots of large tiger sharks, but I still appreciated the content more than anything I would have seen in the Shark Week of the same year. It wasn’t overproduced, but the one scientist/host wasn’t that interesting, and they didn’t end up revealing any big discoveries or new information by the end.
I think the enduring popularity of Jaws is what has kept Shark Week going, even more than people’s interest in sharks. Even though Jaws gave sharks a bad reputation and negatively impacted them, it’s not as if that was Steven Spielberg’s goal. He tried to make the best movie he could with what he had, and he succeeded, but no one, and I mean absolutely not a single filmmaker, has been able to make another shark movie that even touches the greatness of Jaws. I’ve covered some pretty bad shark movies on this blog before, but I find it oddly comforting to indulge in a bad shark movie during Shark Week in addition to the golden standard.
I gave Deep Blood (1989) a chance, having never seen it before, hoping it might provide some cheesy shark attacks, given it was an Italian production released the same year as the similarly themed Killer Crocodile (also Italian, and very gory). Deep Blood is about some kids who make a blood pact, then when they’re grown up have to battle a shark possessed by an evil spirit that comes to feed along their favourite beach, and oh my stars! This movie gets zero stars! The directing, writing, acting, dialogue, cinematography, special effects, editing, pacing, and action? All unbelievably bad. I laughed a few times when the plastic toy shark (meant to be a real great white) swam up past the model shipwreck, but those were the only morsels of entertainment I had to chew on. It is Jaws-ploitation at its most shameful and least interesting, so please do not waste your time, even if you like bad shark movies. Some other options include: the Jaws sequels, Red Water, and The Meg. You can skew slightly better (but still inferior to Jaws), with The Shallows, Deep Blue Sea, or 47 Meters Down, or cheaper, with Sharknado, Avalanche Sharks, or Raiders of the Lost Shark. Just don’t go as low as Deep Blood.
It’s time to wrap this up with JAWS. What we have here is a perfect engine—er, an entertainment machine. It’s really a miracle of filmmaking. I mean, what else can I say? The new documentary, Jaws @ 50, about the making of one of the greatest films in motion picture history, came out this summer to celebrate the 50th anniversary, and while I wouldn’t say it’s “definitive”, as the subtitle puts it, what it is, inarguably, is an up-to-date celebration of the legacy of Jaws. It actually brought a tear to my eye. Jaws is a movie that is incredibly special to me, but not just me, and isn’t that what cinema is all about, at its absolute peak? Jaws is a form of bonding. I’m just some guy living his life as best he can, and then in the documentary we see industry titans like James Cameron and Steven Soderbergh talk about the profound impact and lasting power and influence of Jaws and how they were affected and inspired by it. We are all the same in that way, because it’s a part of who we are. It’s a truly unique piece of art.
What I found most interesting and exciting in the doc was the behind-the-scenes footage from the production, most of it new to me, with the audio cleaned up in editing so well it sounds like it was recorded this year, not over 50 years ago. It uses some archival clips, interviews, and materials seen multiple times in other Jaws documentaries throughout the years, but the new interview footage with not only remaining cast and crew (plus Spielberg himself, and often actress Emily Blunt, for some reason) but the children of Peter Benchley and Robert Shaw makes it all feel worthy of becoming a part of the legacy and adding to the historical record of the legendary film. The question is posed by the documentarians early on, asking Spielberg if there’s anything he hasn’t said about Jaws at this point. I think the answer ended up being yes. I don’t know how much Jaws @ 50 will resonate with viewers who are not Jaws mega fans or have never seen older documentaries about it, but for me, it was a highlight of the summer and just made me want to watch the movie again for the billionth time. I would certainly recommend it, along with The Shark is Still Working, which is even more in-depth. As for the 1975 film itself, I really don’t have anything new to add at the moment, so I’ll link in what I wrote for my Favourite Films Series: https://cccmovies.blogspot.com/2017/06/jaws-1975-favourite-films-series.html
Those are my essentials for peak Shark Week! A mix of entertainment, new science, old discoveries, and some shark fiction. As I will get into with the third and final part of my Shark Week Extravaganza, fiction has, unfortunately, taken precedence over science on Discovery Channel, but it’s a less recent development than many viewers may realize.
Part Three: https://cccmovies.blogspot.com/2025/08/the-current-state-of-shark-week-cccs.html
Part One: https://cccmovies.blogspot.com/2025/08/shark-week-extravaganza.html










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