The Evil Dead (1981) Review
Certain horror movies, for whatever reason, manage to
achieve wide recognition with audiences. Generally speaking, the genre has its
devoted collection of viewers, but also has an equally dedicated group that
refuse to watch anything of the sort. When I think of widely-acclaimed horror
films, meaning ones that everyone has seen, whether they are fans of horror or
not, I think of films likes Jaws, The Exorcist, Alien, and The Silence of the
Lambs. In terms of horror films acclaimed within the circles of horror
fans, The Evil Dead series has to be
one of the definitive examples.
When the original The
Evil Dead first premiered at Cannes Film Festival, a certain real-life horror
icon was in the audience: Stephen King. By that time, he was already famous
within the horror community, and gave the movie huge support, later claiming it
was one of his favourite horror films, and calling it the “most ferociously
original film of the year”, which was used heavily in the marketing. If your
movie is beloved by King, then you’ve already succeeded, as far as I’m
concerned.
For those who don’t know, The Evil Dead is about a group of college kids who go out to a
remote cabin in the woods, where they discover The Book of the Dead, and
unleash evil spirits that terrorize them. It’s a simple premise with a
straight-forward delivery, but within the details of what happens is where the
ingenuity and terror lies.
So what’s the reason The
Evil Dead never became as widely accepted as something like Jaws or Alien or Exorcist? It’s
hard to say, but ultimately, I’d say it was just too niche. It’s an extremely
particular blend of campiness, scariness, and fun, with a distinct low-budget
look and feel you don’t get from a more polished studio film. Horror-comedy is
not easy to do, let alone do extremely well. Sam Raimi, the mastermind behind The Evil Dead, knew he could make the
audience scared to a point, but could also afford to invoke laughter by going
over the top, whether in levels of gore or with the concepts themselves. This
is more evocative of later entries, but it’s present in the original, too.
The Evil Dead has
so many memorable and inventive moments. By the time I got around to seeing it,
I had already seen many of the horror classics, including the aforementioned Exorcist, which is often cited as being
the prime example of a horror movie doing things no other movie had done
before. But, in its own way, The Evil
Dead accomplishes the same thing. Sure, it’s much cheaper-looking and less
believable, but no less scary. It comes down mainly to the direction from Sam
Raimi. He uses so many creative camera tricks, from the famous roving POV shot
to extreme close-ups of faces at tilted angles, and of course all the effects
shots.
The effects are a huge part of the appeal. There’s something
about possessed people with blank white eyes that always disturbs me. I was
disturbed by it in The Exorcist, and
I was disturbed by it again in The Evil
Dead. This movie obviously owes quite a bit to The Exorcist, what with it being similar in the premise of
possession, but unlike The Exorcist,
it goes all out with gore and violence, and becomes its own thing entirely.
I don’t really need to say much more about The Evil Dead. If you haven’t seen it,
then see it. Even though the series has been going on for decades, and there
are bigger-budgeted entries in the series with better effects and acting and
production values, the stitched-together look and feel of the original will
never be duplicated, and should never be overlooked. It’s a timeless piece of
horror entertainment.
Related:
Top Ten Low Budget Horror Films: http://cccmovies.blogspot.com/2017/10/top-ten-low-budget-horror-films-ccc.html
Top Ten Movies That Scared the Shit Out of Me: http://cccmovies.blogspot.com/2017/06/top-ten-movies-that-scared-shit-out-of.html
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