The Predator (2018) Review
The Predator sort
of challenges our expectations of what a Predator
movie can be. It is largely unlike any Predator
movie before, but I don’t mean that in a purely good way. In fact, I’d say
this movie is pretty bad. But, my two main positives are, it has an
entertaining cast of characters, and is never boring. The Predator is certainly entertaining all the way through, even
when it’s bad. And it gets unbelievably bad at points.
The first act is good. It sets up two separate storylines,
one with a solider, McKenna, having a close encounter with a predator that
becomes known as the “Fugitive”, and another with a kid with Asperger’s in a
suburb. The kid is McKenna’s son, and receives a mysterious package from his
estranged father containing the Fugitive predator’s mask and wrist gauntlet. McKenna
is put on a bus with a bunch of other mentally deranged soldiers, each messed
up in their own ways. Then, meanwhile, in a secret lab, a scientist gets to
meet the fugitive the government has captured and studied, but the predator
predictably escapes and goes on a killing spree. The crazy soldiers end up
forming a rag-tag team, along with the scientist, to hunt it down, but then the
storylines of the son and father converge when an upgraded predator shows up
with two predator dogs, hell-bent on killing the Fugitive and capturing
McKenna’s son.
The opening moments of The
Predator felt totally jarring at first. Gone is the simplicity of the
original of a starry sky and lone predator ship dropping one hunter down to
earth. We are thrust into a space battle: a predator ship attacking another
predator ship, which feels like something out of a low-budget sci-fi movie,
then one of the ships crashes in Mexico, and it feels like a Predator movie…for a bit. Then it starts
getting into the convoluted plot, and I found it felt like a superhero movie.
Every Predator has its own
overarching genre; the first one is a combat action film that becomes a
sci-fi-horror-thriller, the second one is a crime action film that does the same,
and Predators is a
sci-fi-mystery-horror-thriller all throughout.
So what is The
Predator, then? You could say it’s a comedy—it’s certainly the funniest Predator movie yet, intentionally and
unintentionally—but it’s also still a sci-fi thriller, I guess. Gone, though,
is any sense of horror. Not a single thing about this movie is scary. Some of the
comedy, though, is actually pretty good. As much as I didn’t want this movie to
be funny, I'll admit, I found many of the jokes worked, and I laughed out loud a
few times throughout. Having said that, it was more than a little strange to
see a sequel in a franchise that was pretty much dead serious to begin with,
and maintained that serious tone for all subsequent sequels, suddenly become
totally silly, self-aware, and comedic.
The second act works mostly to build up the characters. The
team is pretty much all likable, with a few standouts, and the kid isn’t that
bad. But the third act struggles hard. I knew prior to seeing it that the
ending was largely re-shot, and it shows. The action becomes hard to follow, the
editing is poor, and it almost gets boring, but there are some inventive
moments still to be had.
For all the new stuff it tries, The Predator commits many sins of past sequels. There are cheesy,
obvious throwbacks to the original, it copy-pastes music from the original even
more than Predators did, and the final
battle is anticlimactic. But it also invents new ways to be stupid, in ways that
I can’t believe were allowed by the studio. The predator dogs are terrible, but
it’s taken so far and to such a point of stupidity, that I was entertained by
it. Having Jake Busey play the son of his actual father’s character Peter Keyes
was a pointless connection to Predator 2
that went nowhere, but I guess was a mostly harmless, fun reference for fans.
Every single callback to other Predator
movies made me cringe, but then there was other stuff that made me cringe even
more.
The upgrade predator is awful, made only more so because the
Fugitive predator is awesome. Fugitive looks incredible, is badass, brought to
life with great practical effects, and is even funny, but upgrade is dumb, loud
(Yeah, remember when the predators were stealthy? Not anymore, now you hear
their heavy footsteps long before you see them.), and created entirely with
poor cgi. Had it been depicted in the traditional method, maybe it wouldn’t
have been as bad, or maybe if the cgi had been better, but the upgrade predator
was a huge disappointment. Of all the new predator stuff (and there’s a surprising
lack), there was one thing added to the lore that I liked. The invisibility is
given a concrete source, and used in interesting and new ways throughout the
movie. There are also some intense moments of gore, which felt more reminiscent
of the original than other more recent Predator
films, so that made for another entertaining aspect.
As of right now, I’d rank The Predator just a notch above Alien:
Covenant. It’s not as well-produced, but more entertaining, and tries to be
more original (emphasis on tries). I’d still pick Predators and Predator 2
over The Predator, though, but The Predator has decent human characters
played by good actors, so that automatically puts it above AVP, even if the action and effects aren’t as good.
So The Predator…I’m
not sure what else to say. It’s the least Predator-like
of all the Predator movies so far. It
was funny, and it was entertaining, but I went into this thing with seriously
low expectations, and came out having had a relatively good time, but still
feeling it was a poor attempt to further the franchise. I’ve been waiting for a
new Predator for eight years, and
afterwards, sort of felt like…that’s it? That’s the best they could come up
with? I’d be content if they let the franchise simmer for another few years
before trying to bring it back again, hopefully in a less wacky and convoluted
way.
I know this review is really long already, but I want to
talk about the ending, so spoiler warning. In an age of nostalgia, you’d think The Predator would go for the jugular in
this regard, and it almost does. Throughout the movie, it’s teased that the
Fugitive predator brought a gift for humankind in a mysterious pod, but no one
knows what it is. They wait until the very end to reveal it. A few things were
going through my mind: is it going to be Arnold Schwarzenegger in there? Is it
a xenomorph? A new species of alien? But no, it’s a weapon—a suit, like Iron
Man’s—for McKenna to wear so he can do battle with predators in a future movie.
I don’t hate the concept, but the execution is downright disgraceful.
Instead of going in a nostalgia direction, it turns into a pure superhero
ending. Remember when the first trailer for this movie said “From the director
of Iron Man 3” and everyone rolled
their eyes? Well, that wasn’t really a poor choice on the marketing team’s
part. It sets up a sequel no one wants to see, and I’d put money on it that
this idea will not be followed
through. If we couldn’t get a follow-up to Predators,
there’s no way this should get one, either.
Well, that
finally concludes my reviews of the Alien and Predator franchises as they stand in
2018! Now, let’s move on to a very different series, with one of the most iconic
faces in the slasher genre. Can you guess which one?
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