Walking With Prehistoric Life Marathon (Part 2)
Walking with Beasts (2001) Review
After the huge success of Walking with Dinosaurs, the creators embarked on the next chapter
in the history of life, Walking with
Beasts (or, as I knew it in its North American release, Walking with Prehistoric Beasts) which
explores the age of mammals over the course of six episodes, from not long
after the extinction of the dinosaurs 49 million years ago, to the ice age
30,000 years ago, when modern humans were first appearing. Everyone knows about
dinosaurs and everyone knows about ice age cavemen and mammoths and sabre tooth
cats, but everything in between was (and still is) a real grey area for many
people. When I first saw Walking with
Beasts as a kid, I loved it every bit as much as I loved Walking with Dinosaurs, and still do.
“New Dawn” depicts a frightening world where the first
whales are hairy, amphibious, four-legged ambush predators and the giant flightless
bird Gastornis is the top predator,
feeding on tiny ancestors of horses. “Whale Killer” follows an ancient toothed
whale, Basilosaurus, on a journey
through the mangrove swamps in search of prey, which brings her close to many
other creatures, such as the hippo-like Moeritherium.
“Land of Giants” follows the infancy of an indricothere, a rhino relative which
was the largest land mammal of all-time, living amongst strange creatures like
the vicious pig Entelodon and
knuckle-walking herbivore Chalicotherium.
“Next of Kin” shows a troop of Australopithecus,
one of the earliest upright apes, and “Sabre Tooth” is pretty self-explanatory,
but also shows other South American mammals like the giant ground sloth and
giant armadillo. “Mammoth Journey” follows the migration of a herd of mammoths
across Ice Age Europe, with cave lions and Neanderthals hunting them.
In many ways, Beasts
trumps what was done in Walking with
Dinosaurs. The storytelling is even better, with every episode featuring creatures
that actually become memorable characters. The most notable for me is the clan
of Australopithecus, the Basilosaurus, and the sabre tooth cats.
Blue, an orphan Australopithecus who
has trouble fitting in with the others, evokes great sympathy, and when members
of his clan are killed along the way, you actually feel bad. The Basilosaurus is desperate for food
because she’s pregnant, and the lengths she goes to in order to feed make for
an episode that constantly ramps up the thrills. “Sabre Tooth”—easily my
favourite episode of all—has a mature male named Half Tooth (he has one broken
sabre) lose his territory to two rival brothers, then fight to get it back.
Something about the setting, the creatures, and the way the story plays out
feels almost mythical.
Like Walking with
Dinosaurs, there isn’t any one episode that has a dip in quality. Even the
final episode wraps things up in a satisfying way. The series ends in a museum
in the modern day, with the best final moments of all the Walking With… installments. We get one last impactful line from
Kenneth Branagh: “No species lasts forever.” Then it zooms out from the museum
to eventually show all of planet earth in one uninterrupted shot, accompanied
by epic music. It’s truly awesome.
The technical aspects is where Beasts pales somewhat in comparison to Dinosaurs. The visual effects are way
less consistent, because instead of just animating scaly dinosaurs, now there
are animals with fur, feathers, and leathery hides. The Australopithecus and Mammoths
in particular often look quite poor in close-ups when rendered in cgi, but it’s
never so bad that it takes you right out of what’s going on. Much of the cgi is
still quite good, especially in the “Land of Giants” and “Sabre Tooth”
episodes. The massive indricothere in “Land of Giants” is like the equivalent
of Diplodocus, both in size and cgi
quality.
Pretty much every other technical
aspect is a home run. The practical effects are excellent and more
sophisticated, the environments are all unique and eye-catching, and the music
is bombastic, from the main theme with its intense chanting to the “Sabre Tooth”
music which uses actual sword sound effects within the soundtrack, but there
are also many poignant tracks, especially in “Next of Kin”. It has more of a
range than the score for Walking with
Dinosaurs, which is quite the feat considering how great that soundtrack
was.
Walking with Beasts uses the same techniques that worked so well
before in Walking with Dinosaurs to
bring even more exotic and fascinating prehistoric creatures to life. There’s
greater variety in the species, and the stories make a greater effort to
individualize creatures, but it’s a little less immersive overall, and less
consistent in terms of realism, though not overly so.
No comments:
Post a Comment