CCC’s Walking With Prehistoric Life Marathon!
I was, and still am, a huge fan of dinosaurs and all other
forms of prehistoric life. Before I discovered writing, I always wanted to be a
paleontologist and dig up dinosaur bones. Imagining what these long-extinct
creatures were like as living, breathing creatures will be a science-based
fantasy I will continue to imagine forever.
In May of 2000, my dinosaur fandom hit perhaps the highest
of all high points. The Disney film Dinosaur
came out, and right around the same time, a BBC series premiered on the
Discovery Channel. Little did I know at the time that it had first been on TV
in the UK a year earlier (as was almost always the case with every BBC series),
but it was not only a brand-new dinosaur TV show to get excited about, it was
unlike any show that had come before it. This wasn’t PaleoWorld or When Dinosaurs
Ruled, with a focus on paleontologists talking about fossils with cheap
snippets of poor animation, oh no. This was a Jurassic Park level of realism, with a nature documentary approach.
Walking with Dinosaurs
aimed to show dinosaurs how they really lived, with up-to-date science fuelling
each episode’s narrative of creatures brought back to stunning life. This
five-part series was a huge success when it first came out, and began a
sprawling saga through the history of life on earth. I’ve been a fan of the “Walking with…” franchise (collectively
known as Walking with Prehistoric Life)
since the beginning, and continue to revisit episodes from time to time.
You might recognize the title from the 2013 movie, but that
was Walking with Dinosaurs in name only.
I wouldn’t even call it an adaptation of the series, because it’s not really
anything like it. The movie has annoying narration, childish humour, and a poor story. There’s also a
live-action stage show, which is much truer to the series. While I haven’t had
the chance to see it in person unfortunately, the footage available online
demonstrates the high-quality animatronics used to bring dinosaurs back to
life. Despite a prolific history, not everyone is as familiar with some of the
other shows aside from Walking with
Dinosaurs, and many don’t even know the franchise exists at all. Despite
being between 15 and 20 years old, all of them hold up pretty well today, and
are still worth watching even if you’ve never seen any before.
I’ve been meaning to talk about Walking with Prehistoric Life for a while, so why not do all of it
in one shot? This is CCC’s Walking with Prehistoric Life Marathon! First up,
the one that started it all.
Walking with Dinosaurs (1999) Review
Of all the major ages of ancient creatures, the age of
dinosaurs has been and always will be the most-beloved. Dinosaurs are just so
awesome; every kid went through a dinosaur phase, and many of those kids never
stopped loving them, myself included. Walking
with Dinosaurs is entertainment first and foremost, but as a kid, it was as
real to me as any BBC nature documentary, showing them not just as ferocious
prehistoric monsters, but as living creatures that hunted, mated, and raised
their young.
The series begins in the Triassic period with “New Blood”,
at the beginning of the Mesozoic era, depicting a harsh world on the verge of
major change. The dinosaurs have not yet taken over as the dominant species on
earth; lumbering therapsid Palcerias
move across the desert landscape in herds, and the four-legged archosaur Postosuchus is the top predator in the
ecosystem. The next two episodes take place in the Jurassic period, with “Time
of the Titans” following a group of sauropods, Diplodocus, from birth into adulthood, as well as the other
herbivores and carnivores living around them, and “Cruel Sea” shows life in the
oceans, focusing on the ichthyosaur Opthalmosaurus
and the predatory Liopleurodon.
“Giant of the Skies” transitions into the early Cretaceous period, following
the migration of a pterosaur, and “Spirits of the Ice Forest” shows mid-Cretaceous
dinosaurs living in Australia, which at that time was much closer to the South
Pole. “Death of a Dynasty” closes out the series in the late Cretaceous, when Tyrannosaurus rex was the top predator
of North America, right before a meteor strike brings the reign of the
dinosaurs to a fiery end.
Every episode has a distinct look and feel, and no episode
is sub-par or worth skipping. If I were to be critical of any one episode,
though, it would be the final one. The pacing is a bit slow, the design of the T. rex is unappealing, and you would
expect the conclusive extinction event to be a spectacle, but it’s quite brief
and not shown that extensively. It’s difficult for me to pick a favourite
episode, though. All of them have unique qualities, and show an abundance of
creatures. I love “Time of the Titans” because it has the most big name
dinosaurs, like Stegosaurus, Allosaurus, and Brachiosaurus, but the storytelling and visual effects are also
just so well done. Honestly, I could watch any one of the episodes and enjoy
it, or even watch all of them in a row like a three-hour movie.
The environments were chosen for their similarities to
conditions in the various periods, and occasionally real animals appear, though
they don’t always contrast well with the cgi dinos. Like Jurassic Park, there’s a mix of computer generated effects and animatronics.
While obviously not quite as good as a Hollywood-produced film, the effects are
nonetheless impressive, and many shots actually look better than a lot of the
cgi effects used in modern films. If I had to pick any one standout, it would
be the herds of Diplodocus. They have
highly detailed scaly textures, fluid movement, and even jiggling flesh as
their great mass moves across the Jurassic landscape. The puppets and
animatronics are used for most close-ups in all episodes, but occasionally
there is some close-up cgi, and these shots are the ones that look the most
dated.
The music is incredible, with the overall highlight being
the epic theme for “Time of the Titans”. The narration is by Kenneth Branagh,
who is a pretty famous actor and director, and he does an okay job. His deep
voice and British accent work well with the tone of the program, but sometimes
his inflections are a bit out of place. He would go on to narrate several other
installments in the franchise, but for the North American releases, every
program had a different narrator. I at least prefer Branagh over the American
narrators, but still would have enjoyed David Attenborough or someone like that
instead.
One of the biggest criticisms of the series is the balance
of fact-based science and the artistic license taken. As a kid, I took these
depictions as one hundred percent real. As far as I was concerned, these
dinosaurs were as true to life as possible, but as an older viewer looking back,
I learned that was far from the truth. While some assumptions had to be made,
like what colours they were or how they sounded, scientific accuracy was often
abandoned in favour of being more dramatic. A couple examples: the giant Liopleurodon was less than half the size
in real life, and evidence that the raptors like Utahraptor were feathered had already been discovered, but the
raptors are shown with the outdated scaly skin.
I find it’s a little tough to criticize this aspect of the
series, because the show ultimately is a fantasy program—we’ll never really know exactly what dinosaurs were
like in life—but when it’s touted that what’s being presented is the
most-realistic depictions ever, it brings into question the responsibility the
creators have in perpetuating misconceptions and confusion for viewers who are
actually interested in learning while being entertained. Still, the intentions
were good, and despite all the inaccuracies, the series still remains one of
the preeminent examples of realistic dinosaur depictions.
Walking with Dinosaurs
set a new standard for dinosaur documentaries and on-screen depictions of
prehistoric creatures. While many subsequent programs, both from BBC and
Discovery Channel, would try to top what it had done, and even succeed in certain
ways, no other program focused solely on dinosaurs has been able to surpass Walking with Dinosaurs in terms of
visual grandeur, engaging storytelling, and immersive realism.
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