CLAYTON'S CREEPY CINEMA!
WEEK 2: MUTANT MAYHEM
Yongary, Monster from the Deep (1967)
In the late sixties, giant monsters were all over the
landscape of cinema. Godzilla was a raging success in Japan, Hollywood was
including kaiju in films like The Lost
World and Jason and the Argonauts,
and so it’s not too much of a surprise that Korea tried their hand at producing
a king-sized creature to terrorize their own country. I only know of three
Korean giant monster movies, The Host,
which I was not a big fan of, Reptilian,
which I have not seen, and Yongary,
Monster from the Deep. As it turns out, Yongary
is a campy Korean classic and a fun but bizarre giant monster movie.
The film is slow to start, introducing human characters such
as two newlyweds and a troublesome kid. A major earthquake happens just as the
new husband goes up in a space craft, and the control tower loses contact with
him. He is able to land the ship safely, but the joy is short lived. It turns
out the abnormal earthquake is actually the monster of legend, Yongary! He
isn’t a mutant per say, so you may be wondering why this movie is included in
this week of Creepy Cinema. Well, he’s a giant monster like Gamera, so I wanted
to follow my Gamera review up with a
second giant monster movie, and though Yongary isn’t a mutant, he does cause
mayhem. It is discovered Yongary consumes petroleum products when he raids an
oil refinery. He freaks out due to a negative reaction to a chemical compound
of ammonia. The humans lure him with oil and use ineffective missiles (I guess
they hadn’t seen Godzilla before). In the end, a refined ammonia compound is
dropped on him while he destroys a bridge and it effectively ends his reign of
terror.
Yongary is easily
comparable to other giant monster movies of the decade, including Godzilla and Gamera. Yongary himself is depicted just like those monsters were:
by a man in a rubber suit stomping miniature structures and attacking toy air
planes. The special effects are cheesy and outdated, but decent for their time.
Yongary himself is a mixed bag. He’s not the worst looking 1960’s kaiju I’ve
ever seen, but far from the best. He has fire breath (accomplished by a flame
thrower placed inside his mouth) and a laser nose horn. It’s hilarious to see
Yongary torching toy tanks with his flame thrower breath. They did a good
enough job with Yongary that he doesn’t feel like a discount Godzilla, though
he does sport similarities to other monsters of the time, and even has
miniature Gamera tusks. The film has more than a few detractions. There’s a
bizarre scene where Yongary dances for some reason—I guess they were trying to
appeal to kids—but even weirder yet is when Yongary dies in the river and he
bleeds from his rectum! The sound effects for the city destruction are
underwhelming, and Yongary’s roar is recycled endlessly.
Yongary, Monster from
the Deep is marginally better than The
Host as far as I’m concerned. Both films were bizarre in their own ways,
but Yongary offers more satisfying
monster action. If you are a fan of early Godzilla films, you’ll probably find Yongary is decent, and should give it a try.
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